Old Man Shouts

Am unwell, so am catching up on old bookmarks. This from a week or so ago, on designing constrained spaces, is quite good.

https://sarahendren.substack.com/p/the-city-and-the-limiting-virtues

I mean, the old thing that constraint brings freedom is just that… extremely old… uh now I’m wondering what the history of that is: it’s certainly religious – certain rules enable societies to function, areas of complete liberty cause them to break down (sins, for example).

But the main reason I read with some intent is that the London Library allows laptops in the main reading room now (a post covid degradation) and by fuck some people are noisy on their laptops. Also, typing reflects the cadence of their thought and is extremely distracting, as distracting as talk, where, say, the sound of traffic or aircraft, or even a shout in the street, is not.

I mean they have kept a no laptop room, but it’s cold and dark. You’re a library! Do your thing!

The Wreck of the Sierra Madre

There is something particularly piquant about the mixture of elements in this story:

Biden to warn Beijing against meddling in South China Sea

A rusting wreck called the Sierra Madre in the South China Sea, with Philippine marines stationed on it, at the centre of a diplomatic flashpoint.

I was mentally tagging this as #futureaesthetic, or “the future’s here today”. Or is it like a projection from the past about what the future would look like? Or is it just that many of the elements here – the wreck, the film name resonating around it all, the name The Second Thomas Shoal, the set up for a new film, about marines on the edge of a global conflict on a rusting hulk, the geopolitical heft focused on this point of fragility – an accidental artefact of geopolitics – feel like they’re of the past, not new, the newness being provided only by the conflict, and even that of course, well established…