Bodies and Faces/Passages and Rubens

Passages is a v good fuck-about-and-find-out 3-hander. Was it Agnes Varda who said that film is all about faces? If it was she said it better, but ever since I heard it I notice it, both in film and as a qualifying aspect of television. It’s not just about size of screen, or rather the size of screen is clearly a cause of the historical importance of the face in cinema so that it is an intrinsic aspect of film, film as method, film as perception, film as definably different from television.

Continue reading “Bodies and Faces/Passages and Rubens”

Le Samuraï

An old post from an old blog

Are intellectual teenagers still into existentialism? or have we exited that age? is it all about theory now? Students downing Badiou and Laruelle to the strains of Tristan Murail? If so, they’re right to. It seems more intellectually demanding, more crazy, more of a shibboleth between the old fucks and the young guns, more of an induction to the modern age than the rudimentary post-romantic shoulder-shrugging of existentialism.

But

I liked Camus a lot.

And I don’t really buy that ‘not real philosophy’ thing.

It may not be real philosophy, but it’s real something, and that something’s very appealing when you’re a teenager: a post-romantic sense of the isolated individual, indifference to conventional social mores (which in return punish that indifference or contempt), misery, nausea and anxiety as necessary corollaries of a universe without epistemological and ethical certainty. Each of these provided serious explanations. it was useful. I could do with something like it now. Nobody understands me. Life’s so unfair. They were self-help manuals, shit self-help manuals admittedly, self-help manuals for people who couldn’t help themselves, but self-help manuals nevertheless, which not only explained why you were so fucking miserable, but why in fact you were some kind of hero for being so fucking miserable. I needed that!

But I picked up The Myth of Sisyphus again recently and was bored out of my mind, so that avenue’s shut. because for a teenager existentialism wasn’t so much about truth, it was about image – how to mentally position yourself in the world, how that looked. So if there’s one thing that french existentialism can be thanked for, it’s cool french films, because that was how the theory became flesh. It reversed the unglamorous polarity of the solitary teenager.

I went to see Le Samuraï when I was 16. The old Lumiere cinema in st martin’s lane, now a gym or something god-fucking-awful like that.

It was a big screen, with lots of soft grey seats ranged in arcs. There were three people in the cinema – me, a cycle courier about five rows in front of me, and a sleeping businessman, two rows behind and about five columns to the left of me.

I remember the setting and the film vividly. the film had a big impact. I got it on dvd, watched it several times.

Anyway, I watched it again the other night. i remembered it well (I said a couple of the lines before they were delivered on screen). How did it stand up?

Continue reading “Le Samuraï”

2022 Redux

2022 has been a bit of a dog.

Alright let me pour this little cognac and break it down for you1 I just discovered that this is in fact a 2021 joint, but you remove it from my significant 2022 listening over my dead body

Screenshot 2022 12 20 at 18 27
Screenshot 2022 12 20 at 18 28

My conclusion at the end of the year is that I’ve been suffering from a form of anhedonia and chronic, mild/medium, depression. Drink took up more of a role than it should have, I think to tackle the anhedonia, which led to considerable fatigue and ofc probably made the if-that’s-what-it-is anhedonia worse. My social manner was careless, sometimes borderline deplorable, and discouraging to forming new acquaintance, my already middling intellect very weak2 its natural state is C-, it can reach fairly high on occasion, but this year dragged relentlessly at a skiving, bedridden U. It was something of a relief to realise, 2/3rds of the way through that this seems to be a mode i go into from time to time, much of my teenage years for instance, which the natural intellectual ebullience of teenage years mitigated. but as i get older it feels more existential, more a symptom of decay rather than personality, emotions wan to the point of expiry, still protecting a battered and beleaguered heart by rolling up in a ball, cutting cords that should not be cut. Viva Las Vegas.

Continue reading “2022 Redux”