I ‘ve been struggling to find a consistent place to post the stuff I want to put words to.
First, I still read and have plenty of thorts about books and writing, which was what this blog was always for. In fact I’ve been reading more over the last year or so than I have done in a long time. But I’d begun to regard this blog as somewhat essayistic in character – serious treatments with actual conclusions, which held me back from posting stuff where I hadn’t reached my conclusions.
Second, I’ve found quite a lot of my mind is taken up with the topics of work and business, and quite a lot of the time I want to write about that as well.
Those two areas didn’t really co-exist in my mind, so I started to post the work/business stuff on linkedin.
I’ll probably carry on doing that – linkedin is horrible, but as a networking tool which means you don’t have to network it has high value – but it’s a bit constraining. There are things I want to say that don’t feel appropriate for that forum. It’s v much “views expressed here are necessarily those of a representative of my employer”.
Finally, tumblr, of which I was quite fond, feels like its time has passed, and I wanted a place to microblog a bit on lighter cultural encounters.
Why not all in one place? It should help keep the momentum going, and avoids those high barriers to expression such as ‘dunno which platform to post this’. And in fact as soon a I started thinking this way, I realised that these apparently different areas have been converging for a while for me; it was mainly the vector of the motivating input – the prompt – that had separated them out as categories.
- stuff prompted by books and words (litblogging – what I always intended any blog I kept to be)
- stuff prompted by quotidian writing: business, broadcasting industry, politics &c (the linkedin stuff, but with less worry that someone at work is going to pull me up for talking about business bullshit and full luxury communism)
- stuff prompted by what i’ve encountered out and about (tumblr – photos and frivolity)
And I’ll see how they rub up against each other.
The notion of the palimpsest has a sort of fame, outside its technical sense, as a minor tool in the armoury of criticism and theory. At its most basic it’s a writing surface that can be cleansed for reuse. Intrinsic in its theoretical meaning is reference to the imperfect scouring of parchment in the early Medieval period for reinscription. Although the method they used erased previous texts by the light of their own time, it left them capable of retrieval by later more sophisticated chemical processes in the more powerful light of the 19th Century, so that future ages found multiple texts all present on a single parchment, waiting to be revealed, nothing lost.
Continue reading “The Squalid Rag”
I wrote this blog entry after a period of the usual sort of struggle – not really just a matter of writing or thinking, but more generally of lack of direction and general uncertainty. I think it’s an ok piece. Jocelyn Brooke deserves some decent criticism, and there isn’t that much around. It’s 50 years since he died, which I’d hoped to commemorate with something new, but I didn’t get round to it. Reblogging this from its old home is partly a small attempt to fulfil something along those lines, but also to kickstart more regular posting here, on Brooke and others.
Nothing seems worth talking about, writing a mere exercise in style. Experiments that might justify such an exercise seem egregious, and to obscure the matter in hand. Attempts at elegance come across as both callow and conservative, at worst pompous – like a child pretending to be an adult. Plain speaking seems uninteresting, and dangerously revealing of a moribund and fruitless intellect.
Clearly, a subject is needed.
Jocelyn Brooke is worth writing about for many reasons, but has hardly been written about at all. The ground is still fresh and I can tell myself that what I am writing is not an exercise in redundant self-gratification. We can pretend. It is, after all, a start.
Continue reading “A Private View”
The question of the utility of literature and of art generally is never quite scotched. If someone asks me about the value of literature, or more bluntly says that they don’t see the point, there are are all sorts of thoughts and statements that come crowding in, an abundance of personal, emotional and intellectual objections, but no knock-out blow. That’s partly because any decent answer feels like it needs to encompass some sort of reasonably worked theory about the Importance (capital I) of Art (capital A), and that is very contended ground – abundant with theory and argument, but also messy, incoherent and sometimes contradictory.
Continue reading “First Step”